We are, The Philosopher said, animals whose nature it is to be artificial.
Sitting and and at the same time hurtling 100 kilometers per hour down the highway, through showers of heavy rain, listening to Radio National, I made my way to the Schoolhouse Gallery, Rosny Farm to see the exhibit Man-Made. An exhibit of recent paintings by two local artists Peter Tankey & Aaron Wasil. Even the the Schoolhouse Gallery itself comments on the dichotomy of the natural and the artificial. The building was built as a bicentennial project and is modeled on a schoolhouse that was built at Osterly about 1890.
The works exhibited were described by Aaron as “a silent but evident struggle between natural and manufactured”; or to use a more classical structuralist metaphor, “the raw and the cooked”.
I enjoyed both painters works. The artists had very different styles, but both seemed to be pointing in similar directions. Aaron Wasil used a slick, cool style. With a simple color palette his style emphasized angles and varied points of view. The works of Peter Tankey, on the other hand, created a kaleidescopic rush of color and form. The detritus of everyday life gathered in staged, and at the same time almost random locations.
We live in a world that is full of change. We live in a world which does not know how to change, a world that is unsure and seemingly afraid to change. A world afraid to reflect, a world that seems to me to be similar to Europe before the First World War. So I will leave the final word to Rainer Maria Rilke. In the first of his Duino Elegies Rilke wrote:
...and the nosing beasts soon scent
how insecurely we're housed in this signposted World.
And yet a tree might grow for us
upon some hill for us to see and see again each day.
...and the nosing beasts soon scent
how insecurely we're housed in this signposted World.
And yet a tree might grow for us
upon some hill for us to see and see again each day.
