A Double Bill:
Partly It’s About Love... Partly It’s About Massacre (Fiona Sprott) and
Andrew Corder Thinks Twice (Finegan Kruckemeyer)
Tasmanian Theatre Company
Backspace Theatre
May 27, 2010
by Anica Boulanger-Mashberg
If you think you can’t make fantastic theatre out of one actor in one small theatre, then think again. Think twice, if you will excuse the cheap pun.
As a rule, I don’t adore one-person shows. I find them hard work, and I get lonely: I crave interactions on stage. But with the Tasmanian Theatre Company’s latest offering, I am reminded that restriction is not always a negative, but rather can be the generator of great beauty and surprising moments.
Thursday, May 27, 2010
Sunday, May 23, 2010
The Company I Keep
Performed by The Second Echo Ensemble
Peacock Theatre, Salamanca Arts Centre, Hobart
Thursday 20th May 2010
By Anneliese Milk
She loves me. She likes me. He is my son. She is my sister. He is my enemy. He catches the same bus as me. She has our mother’s eyes. She is our mother.- Finegan Kruckemeyer
Despite our many differences we all experience the same breadth of emotion and nurse the same desire to be loved. Although our relationships may be unique, complex and varied, we each form the nucleus of the ever-evolving company we keep. At the same time, we all experience times when we have no company at all.
Online (fishing)
Curated by John Vella
Plimsoll Gallery, Centre for the Arts, Hobart
Friday 21st May 2010
By Anneliese Milk
How long is a piece of fishing line? The answer depends on the artist using it. In Online (fishing) curator John Vella has reeled in a small and exciting group of contemporary Australian artists by using fishing line as ‘bait.’ Featuring the work of four artists and one artist collective, Online consists of five separate installations aligned solely by their use of fishing line.
Plimsoll Gallery, Centre for the Arts, Hobart
Friday 21st May 2010
By Anneliese Milk
How long is a piece of fishing line? The answer depends on the artist using it. In Online (fishing) curator John Vella has reeled in a small and exciting group of contemporary Australian artists by using fishing line as ‘bait.’ Featuring the work of four artists and one artist collective, Online consists of five separate installations aligned solely by their use of fishing line.
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