Wednesday, March 30, 2011
29th March 8.30pm
10 Days on the Island
Our worlds are constituted by what we see and hear. Change the lights, modify the sounds and our worlds metamorphose into new and unexpected shapes. This is wonderfully effective at night, when the darkness frames the differences, leaving our focus on what is new and enthralling.
Sunday, March 27, 2011
6pm Sunday 27th March
10 Days on the Island
It's a dark pub, a simple, wooden elongated room and a minimal set, but the whole audience is with Liam Brennan as he lives the final moments of a doomed fisherman swimming in the freezing, hopeless ocean. We have the privilege of listening in on his last words, as, never more alone, he says what he needs to say before it's time for him to leave us for The Deep.
Performers Kristina Chan and Paul White
The symbolism of the mirror has long been used to explore and represent a variety of implicit themes in the arts: self-reflection; introversion; ego; vanity; illusion; duality; deception. In Glass by Choreographer Narelle Benjamin is a sublimely choreographed and exquisitely danced work that unfortunately suggests far more than it reveals.
Hobart Botanical Gardens
Saturday March 26th
Ten Days on the Island
The real star of Power Plant - the extensive, inspired and eclectic series of light and sound installations set amidst the Hobart Botanic Gardens - is the garden itself. Wandering along the stone paths amidst the ancient trees, flower-beds and ferns, it’s a real treat to be here on such an enchanted, still and star -studded night.
This is a charming collection of objects, projections, ambient- sound and endless combinations of spinning and twirling, electric- flouro-coloured- light piercing the darkness. And its quite a spectacle.
Ten Days on the island.
Friday March 25th
by Gai Anderson
Virtuosic performance builds to driving crescendo
The combination of virtuoso violinist DBR and DJ Scientific with Haitian vocalist Emeline Michel was an interesting choice for the opening night of the Dance Hall on Friday Night. Not because the somewhat subdued initial atmosphere in the beautifully tarted up City Hall transformed instantly into wild dancing when DBR began to play, but rather because the audience’ focus was drawn instantly to the amazing talent and performance of the artists on stage.