Performed by the Second Echo Ensemble
Tasmanian Theatre Company and Cosmos
Thursday May 20, Friday May 21, Saturday May 22
Peacock Theatre
by Stephenie Cahalan
Eleven actors on stage and many more on a screen, minimalist lighting, movement, soliloquies on love, nervousness, wanting to look and be our best. The need for approval. The need for love.
This is essentially what The Company I Keep explores, and does so artfully and engagingly. The story stands alone and would work for any cast, be they professionals or amateurs, from any background. This cast happens to include five people who might be considered intellectually disabled, yet are clearly emotionally intelligent performers and highly competent actors. Creator and director Finegan Krukemeyer has made a piece of theatre that makes the stage a level playing field for every person that occupies it; a liberating experience for performer and audience alike.
Thursday, May 20, 2010
Sunday, May 16, 2010
RENDEZVOUS
Rhonda Voo with the Croo
Exhibition /Installation/ Performance / Residue
Entrepot gallery, Hunter St, Hobart.
9-5 daily until May 20th
By Gai Anderson
If you have a chance this week, get down to the Entrepot Gallery where a group of artists continue to play together responding to the word ‘Rendezvous’ through performance and live art. They aim to keep the space “alive” and inhabited by changing artists on a daily basis. Following the “live “ creation in the gallery, a trace or residue of the work is left to accumulate over the weeks of the exhibition, leaving tantalising, exciting, and sometimes oblique traces of what has happened here.
Exhibition /Installation/ Performance / Residue
Entrepot gallery, Hunter St, Hobart.
9-5 daily until May 20th
By Gai Anderson
If you have a chance this week, get down to the Entrepot Gallery where a group of artists continue to play together responding to the word ‘Rendezvous’ through performance and live art. They aim to keep the space “alive” and inhabited by changing artists on a daily basis. Following the “live “ creation in the gallery, a trace or residue of the work is left to accumulate over the weeks of the exhibition, leaving tantalising, exciting, and sometimes oblique traces of what has happened here.
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