The sensation of threat is rarely put under the spotlight, as an isolated and specific focus. As the stories rolled out and wove between each other, I wondered what inspired and drove Tamara, consciously and unconsciously, to record interviews with people since 2008 about their experiences of threat and terror, and follow it through with the skill and commitment to make such a polished show.
I sat deep in my seat, wanting to know what was going to happen next, both in the unfolding of the stories being told, and in the way they were being told.
This is a solo show and the interviews become the performance: sometimes literally, sometimes being retold in character, sometimes both overlapping. It’s a beautiful mix.
Every element of the show was measured and mixed for the audience to be pricked by a threatening pin drop. The collaboration between Tamara and Composition Sound Designer Peter Knight wove a stunning aural landscape, and Harriet Oxley’s Costume Design was simple, stylish and suitable.
Tamara’s performance was anchored. She didn’t overdo it or under do it; she came from a point of strength.
I hope I don’t freak out when I’m next alone at home...
This is a Mobile States and Salamanca Arts Centre presentation. There are four shows offer, so go get a Season Pass if you still can.
